Kobbayat – The church of our Lady of Shahlo

Notre Dame de Chahlo, Qoubaiyat, Lebanon

Other Details

كنيسة سيّدة شحلو

Qbaiyat Aakkar

Akkar

Akkar

كنيسة سيّدة شحلو - القبيّات كلمة شَحْلُو من السريانيّة تُشير إلى مجرى المياه. هذه المنطقة قديمًا شكلت المدخل الشماليّ للقبيّات، بنى فيها الأهالي معبدًا وثنيًّا ما لبث أن حوّلوه كنيسةً. دمّر المماليك في حملتهم الكنيسة ليبنوا برجًا للمراقبة. هذا البرج دمّره العثمانيّون بعد معركة مرج دابق سنة ١٥١٦. أواسط القرن العشرين أُعيد بناء الكنيسة بشكلها الحاليّ، مع برج ساعةٍ رُفع عليه تمثال للعذراء في تسعينيّات القرن الماضي. تُعتبر هذه الكنيسة مزارًا ومحجًّا للأهالي. The church of our Lady of Shahlo - Kobbayat The word Shahlo is from a syriac root referring to a water source. In ancient times the locals built a pagan temple on the site that was converted into the first church. This church was destroyed by the Mamluks who built a tower on the site that was destroyed by the ottomans after the battle of Marj Dabeq in 1516. In the mid XXth century a church was rebuilt in it’s current form, with a bell tower added in the ninties. The church is considered a votive shrine for the villagers.

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Qsaibeh – Our Lady of Deliverance

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دُشّنت كنيسة سيّدة النجاة-القصيبة في عيد السيّدة سنة ١٨٨٣ بسعي وهمّة الخوري بطرس زيدان. تحتوي هذه الكنيسة على ثلاثة رسومات قيّمة لشفيعة الرعيّة (رسم داود القرم، ١٨٩٤) عليها كتابة: "من وجدني وجد الحياة ونال مرضاة الربّ" (أمثال ٨ /٣٥)، ومار مارون (رسم حبيب سرور، ١٩٢٣)، ومار بطرس(رسم جرجس عبدالله أبو جودة، ١٩١١).
من الملفت وجود عين العناية الإلهية على بيت القربان، رمزًا قّل استخدامه بعد منتصف القرن التاسع عشر في الفن المسيحي بعدما أخذ دلالةً ماسونيّةً.
رُمّمت الكنيسة في القرن الماضي وأُعيد تدشينها وتكريس المذبح الجديد في عيد السيّدة سنة ١٩٧٤.
Our Lady of Deliverance Church Qsaybeh
The church was consecrated on the feast of Assumption of Mary year 1883 with the efforts of Father Boutros Zeidan. Three main paintings are hung in the three apses. On the main apse, stands that of the Assumption of the Lady, painted by Dawoud El Qorm in year 1894, with the verse :"For whoever finds me finds life, and wins favor from the Lord" (Proverbs 8: 35) written below the virgin. On the side apses, one can find a painting that depicts Saint Maroun drawn by Habib Srour in 1923, and another one depicting Saint Peter, a work by Gerges Abdallah Abou Jaoudeh, year 1911.
What is remarkable is the presence of the Eye of Providence on the tabernacle, a symbol that was rarely used after the mid 19th century in Christian art for its relation with the Masonry.
The Church was renovated in the past century, and the Altar was reconsecrated on the feast of the Assumption of the Lady year 1974.